Nighttime Adventures in Neopan

A while back, I wrote about putting together my first ‘zine. It was a collection of the photographs that Wojtek, Pavel and I had shown as part of our No Constructive Conclusions shows. While it contained six pictures from each of us, the others had given me free reign to design, produce and distribute this printed version.

I loved the whole experience, especially the buzz of people getting in touch and asking for copies. The first run of 25 went in a couple of days and I now have only a couple left from a further order of 20. They went out across the UK, Europe and to the USA.

Feedback was great. People liked the work, but also the format and quality of the zine itself. It even got a really nice write-up from James Cockroft that you can see here. I had quite a few questions on the process from people interested in putting their own work out in physical form. Continue reading

Travelogue Wrap-Up

This is a final post in the series documenting my travels in April. I hope that you’ve enjoyed them, or at least they’ve helped kill a little time before you can leave off work.

If you’ve been keeping up, you’ll have read that one week away became two quite different week long trips. The first with my family in Eastern Europe, and the second, a roadtrip-cum-pilgrimage with a mate to see a Scottish bridge.

The thing in common was that I recorded both trips using black and white film. Continue reading

Travelogue 7 – Ullapool to Ullapool

Part seven of my diary/travelogue/waytorememberitinyearstocome, recording a couple of weeks spent travelling around Europe, shooting mostly black and white film.
Previous instalments are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK
Part 3 – Cossington – Newcastle
Part 4 – Newcastle to Perth
Part 5 – Perth to Dundee
Part 6 – Unprecedented Concrete Continue reading

#NEOPANtastic

Lubi Neopan-3-3-1284

Fuji Neopan was one of the first films I tried when I made my first, tentative steps back into analogue pictures some six years ago or so (you can read the full story in my Emulsive interview). Along with Ilford’s Ilfotec HC developer, it has remained a constant since because while I like a little experimentation, once I find something that works well for me, I tend to stick with it and explore its full potential. Continue reading