Fuji Neopan was one of the first films I tried when I made my first, tentative steps back into analogue pictures some six years ago or so (you can read the full story in my Emulsive interview). Along with Ilford’s Ilfotec HC developer, it has remained a constant since because while I like a little experimentation, once I find something that works well for me, I tend to stick with it and explore its full potential. Continue reading →
Back to my favourite combination of last year, the Yashica-Mat 124G and Fujifilm Neopan Acros. I shot this roll on a short walk around Cossington Meadows, the nature reserve I mentioned previously, that we’ve just moved within a couple of hundred meters of. Continue reading →
As I described in my first 52 Rolls post of 2017, I plan to slow things down a little this year. After last year’s excesses, I hope that by leaving time between the taking of the picture and choosing what to show, I’ll not be tempted into posting the pictures that might have been difficult or exciting to make, but only those that deserve to make the cut on their merits and without that influence.
I’ll be writing up my 52 Rolls summary in the next week or so, but suffice to say that shooting so much film through 2016 has been a complete game-changer. When I read about the project (on Emulsive) in Poland the week before last New Year, I couldn’t have imagined that it would have become so all consuming, changing the way I take pictures completely, and costing me a small fortune in cameras, film and processing.
More cold, dark winter weather here in the UK this week with freezing fog an added bonus. Out of necessity, most of my photography at this time of year is at night, but as long as I have some Neopan, I’m OK with that… Continue reading →