Part five of my diary/travelogue/waytorememberitinyearstocome, recording a couple of weeks spent travelling around Europe shooting black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK
Part 3 – Cossington – Newcastle
Part 4 – Newcastle to Perth
This is the fourth instalment of my diary/travelogue/waytorememberitinyearstocome, recording a couple of weeks spent travelling around Europe shooting black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK
Part 3 – Cossington – Newcastle Continue reading
This is the third instalment of my diary/travelogue/waytorememberitinyearstocome recording a couple of weeks spent travelling around Europe shooting black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK Continue reading
Part two in a rambling travelogue/diary recording a couple of weeks of travelling in April 2017, with one camera and only black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK
Part 3 – Cossington – Newcastle Continue reading
During April, I was lucky enough to do a bit of travelling. The next few posts will bring you snaps from the films that I shot along the way…
Fuji Neopan was one of the first films I tried when I made my first, tentative steps back into analogue pictures some six years ago or so (you can read the full story in my Emulsive interview). Along with Ilford’s Ilfotec HC developer, it has remained a constant since because while I like a little experimentation, once I find something that works well for me, I tend to stick with it and explore its full potential. Continue reading
Before we start, I thought you might be interested in this. It’s a piece on why the results that we enjoy from film are not the same as shooting digital and then adding effects. It’s one of the best explanations of a subject that I’ve always found difficult to pin down. See what you think:
