Million Dollar Bills

Before we start, I thought you might be interested in this. It’s a piece on why the results that we enjoy from film are not the same as shooting digital and then adding effects. It’s one of the best explanations of a subject that I’ve always found difficult to pin down. See what you think:

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Mellow Gravy

This film started out in my Lomography Action Sampler sometime early last year. I’m not sure I’ve ever finished a film in that camera as usually, I don’t find enough opportunities to fill a roll. sup800-3-of-12If you’ve not come across one before, the Action Sampler is all plastic and uses a clockwork, plastic mechanism to sequentially shoot through four (plastic) lenses onto one 36×24 image. Winding the film on also winds up the mechanism. Press the shutter, it whirs a bit and will shoot 4 images in a second or so (in an anti-clockwise pattern from top-left). Continue reading

Sunrise, Sunset. 2016 on Film

I’ll be writing up my 52 Rolls summary in the next week or so, but suffice to say that shooting so much film through 2016 has been a complete game-changer. When I read about the project (on Emulsive) in Poland the week before last New Year, I couldn’t have imagined that it would have become so all consuming, changing the way I take pictures completely, and costing me a small fortune in cameras, film and processing.

But more on that to follow…

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