During my trip to Poland in July, I finally visited the Trójmiasto or three cities on the Baltic coast. Gdynia, Sopot and Gdańsk have an interesting and varied history and I could have spent a lot longer exploring were it not for the baking heat. As it was, I had a couple of photowalks, concentrating on specific areas that I wanted to visit.

Among them was the Zaspa area of Gdańsk. Zaspa was built on what was once the city’s airport and between the districts of Młyniec and Rozstaje, the wide concrete runway is still visible and it disintegrates under parked cars. Continue reading

Fabryka, a Photozine.

Get a copy in my brand new Etsy shop –

Back in December, I put together a zine of the work Wojtek, Pavel and I created for our No Constructive Conclusions exhibition and followed that with Nighttime Adventures in Neopan – a collection of nighttime, TLR shots by Dan Smith and I.

As it was January, a time of resolutions and unlikely ambitions, I got carried away and decided that, as I was already 2/12ths in, I’d have a go at creating a ‘publication’ each month for twelve months. I have a few ideas for projects shot in a day and event based publications, but I’m hoping that several can be collaborations (give me a shout if you fancy it). Like the Neopan work with Dan, our pictures were shot on the same film, using similar technology (or lack of it) and all at night, and so it worked as a set. Continue reading

No Constructive Conclusions

To whom it may concern,
I am writing in the hope that you may be interested in hosting an exhibition of photography sometime later in the year. It’s a show that has already been in a couple of galleries in Poland earlier in 2017 and is currently showing in the Czech Republic. It’s the work of three photographers, Wojtek from Katowice in Poland, Pavel from the Czech city of Ostrava and me, from Leicester. Continue reading

Million Dollar Bills

Before we start, I thought you might be interested in this. It’s a piece on why the results that we enjoy from film are not the same as shooting digital and then adding effects. It’s one of the best explanations of a subject that I’ve always found difficult to pin down. See what you think:

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