This is the third instalment of my diary/travelogue/waytorememberitinyearstocome recording a couple of weeks spent travelling around Europe shooting black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK Continue reading
Part two in a rambling travelogue/diary recording a couple of weeks of travelling in April 2017, with one camera and only black and white film.
Other parts are here:
Part 1 – Cossington, UK – Wioska, PL – Bratislava, SK
Part 2 – Bratislava, SK – Orosháza, HU – Szeged, HU – Cossington, UK
Part 3 – Cossington – Newcastle Continue reading
During April, I was lucky enough to do a bit of travelling. The next few posts will bring you snaps from the films that I shot along the way…
Before we start, I thought you might be interested in this. It’s a piece on why the results that we enjoy from film are not the same as shooting digital and then adding effects. It’s one of the best explanations of a subject that I’ve always found difficult to pin down. See what you think:
Another post that started life on 52 Rolls.
Last weekend, I took a trip up to Derby to see the biennial Format Festival. As usual, it’s an excellent show with a real variety of artists and locations in which to see the work. There is a limited amount of that awful ‘photographic art’ at the festival (think BJP cover with a skinny, ill looking woman standing in a paddling pool with a lampshade
on her head, photographed on a large-format camera), but lots of well thought-out and executed photographic projects, that are both stimulating and inspirational. Continue reading
Through the last four months of 2016, Emulsive.org ran the @FP4Party. Film shooters were encouraged to burn up a roll of the Ilford film during the first week of the month and post results on Twitter during the third. There was a competition for the best entries, voted on by the site’s followers. Continue reading
Another roll shot on our trip to Poland last month. This time it’s Kodak Portra 400, that I accidentally shot at 200, resulting in what looks to me like slightly more colour than usual. Continue reading
